A Music Year In Review - 2013

Happy 2014!

 

That's right folks, we have successfully made it through the past 12 months of music and can start gearing ourselves up for what could be the best year of music to date. But in the mean time, let's cast our minds back to some of the music highlights of the last year:

 

Haim

 

Anyone who has ever met me in person understands how much I love these edgy sisters from Los Angeles. Their impressive debut album, Days Are Gone, went straight to #1 in the UK charts during the last few months of 2013  and their popularity has rapidly grown, leading to sold out UK shows all across the country. It was refreshing to see them perform on Jools Holland's Annual Hootenanny on New Years Eve on BBC2, with Don't Save Me, Forever, and Oh Well, and most definitely helped to give the programme that great universal appeal that you expect to see from a Jools Holland music show. I expect to hear a lot more musical greatness from the band over the next year. Just you wait!

 

Lily Allen

 

The UK department store, John Lewis, knew they were on to a winner when they came up with their 2013 animated Christmas advert. And the bigger winner happened to be Lily Allen's immaculate cover of the Keane classic, Somewhere Only We Know, which also went in at #1 close to the end of the year. Allen's rendition of the song matched the tone and atmosphere of the advert perfectly and catapulted Allen back into the forefront of the industry once more.

 

 

 

Some of the other music highlights of the past year have got to be Tom Odell being the first male to win the Critics Choice Award at The Brit Awards 2013, Bastille releasing their first studio album, Bad Blood, back in March, London Grammar's incredible single, Strong, The Killers performing at Wembley Stadium in June, and The Milk Carton Kids in all their live performance glory.

 

This year already looks like the one to beat, with the likes of Taylor Swift, The Backstreet Boys and Elbow touring the UK in the coming months. Oh, and for all of you #DA2014 fans out there, be prepared for the ultimate music comeback of the year from the incredible David Archuleta.

 

It's going to be a sensational year of music. Now it's time to get listening!

 

 

Friday Favourites

It's that time of the week again. Oh yes, it's Friday Favourites!

 

This week, I've been in a surprisingly contemplative mood. Don't worry folks, there's no need to start worrying for me just yet! I feel as if the best music tends to be written when a songwriter or artist is at this stage with their emotions. I don't think I'll personally be going back to my roots and picking up my song writing pen any time soon, but I have listened to some solidly emotive tracks this week.

 

1. London Grammar-.Strong

I didn't take any notice of London Grammar until I saw an advert for their debut studio album titled If You Wait, on the TV a few weeks ago. Yes, those music ads on the television really do work at enticing new fans and sales! Since then, I've developed quite an attachment to this song. The track's almost "haunting" qualities engage the listener and also assure the listener into a sense of security.

 

 

 

 

 

2.Haim- Running If You Call My Name

This has been on repeat ever since the album release date. Running If You Call My Name is the last track on the standard album and truly ends it on a high. It leaves you wanting to listen to the whole album again and again. And that's exactly what I did.

 

 

 3. Keane- She Has No Time/Bedshaped

 

I knew that some classic Keane would make it into my favourites this week, but I didn't realise I would find it so difficult to choose between She Has No Time and Bedshaped, so I chose both! The songs are both from the band's debut, titled Hopes and Fears, which was released back in 2004 and has been one of my favourite albums ever since. So many people have told me that they listen to these tracks when they need some time to think. And I can wholeheartly understand why. Both have the unique ability to conjure up pure emotion in a blink of an eye. Keane completely deserve the success they have had to date. You need to see them perform live if you ever get the opportunity; they are outstanding. Talking of seeing them live; Keane are streaming their Berlin concert on November 6 live at cinemas across the world, so there's no excuse to hold back.

 

I've also been listening to a lot of The Milk Carton Kids and Haim, but that's probably not a surprise to any of you! If you're looking for something a little different to listen to this week, I'm loving John Newman. His newly released album, Tribute, is seriously good stuff.

That's it for this week! Stay tuned for my thoughts on Arcade Fire's new album in the coming weeks!
 

Music Review: Haim - Days Are Gone

The album is finally here. Finally. I don't know about you, but I've been eagerly awaiting the UK release for months. And I'm so glad I can finally hold a physical copy of the CD in my hands whilst listening to the solid musical craftsmanship, or should I say craftswomanship, in its full and everlasting glory.  

 

Falling is the perfect intro into the album and into the siblings' work. It's always interesting to see what a band picks as the song to take the Track Number 1 spot on the album. The first fifteen seconds of Falling entice you into continuing to listen with the undeniable strong sense of direction that's apparent from the use of striking, almost heart-like beats. Haim have managed to capture the build of the song so naturally, yet so effectively, that it puts an already dodgy classic pop boyband "key change after the second chorus" to even more shame.

 

Haim's debut album- Days Are Gone

Can we just talk about The Wire for a minute, please?! I love the fact that Danielle, Este and Alana get to show off their cracking vocals separately during the four minutes and six seconds of the song. Seriously good stuff.

 

The title track on an album can at times be hideously bland and un-thought provoking, but it's safe to say that Haim's title track, Days Are Gone, is refreshing, catchy and fits the album's direction perfectly.

 

After the sensational response the band received after releasing their single, Don't Save Me, last year, it was not a surprise to see that the album went straight to #1 in the UK charts last week. And I think we all know why. We haven't seen a female-led band of this kind who have charisma and genuine music ability of this genre to boot for a long time. They know what they're good at when it comes to making music and I'm happy to say it's exactly what the music-loving public wants to hear. Someone get me tickets to their sold out London shows!